The vast majority of Diwan poetry was lyric in nature: either ghazals or gazels (which make up the greatest part of the repertoire of the tradition), or kasîdes. Where these are found in freeform variants, like an enigma, the modern Diwan, as powers brings a peculiar message encompassing for the divinities. Thus, themes that emerge from traditional Islamic origins can again portray of and evoke the persistence of life, or whatever continuances, admirable to the old or traditional ways and wisdoms.
In modern-times, the inspirational, linguistic, verse, meter, and other design features of the Diwan or Masnavi poetry, are found echoing in other cultures, same or similar to the relaying of hidden messages, safety, and support, left for those ex-slaves on the Underground Railroad, during the American Civil War. These poems, frequently sung or set to music, were often composed and collected in the imperial courts of various sultanates and were very well known for their ability to inspire. In Islamic cultures of the Middle East, North Africa, Sicily and South Asia, a Diwan ( Persian: دیوان, divân, Arabic: ديوان, dīwān) is a collection of poems by one author, usually excluding his or her long poems ( mathnawī). A Mughal scribe and Daulat, his illustrator, from a MS of the Khamsa of Nizami, one of the most famous Persian diwan collections
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